![]() For this book, I’ll be running a hybrid crowdfunding campaign through Kickstarter and direct pre-orders through my website. TS: I mainly market through Twitter, word of mouth, and the press website –. There are some known names and some fabulous newcomers with their first professional sales.ĪF: What kind of marketing are you planning and what sort of reception are you expecting? I think it is a really fun anthology and there is a wide range of stories in the book which also touch on horror and other genres. It features 28 authors from six different countries. TS: ‘Spirit Machine’ is an anthology collecting stories that mix the Science Fiction and Steampunk genres with Spiritualism (think mediums, séances, Ouija boards, discarnate entities, and spirit talking). I sat down with him to learn more about his curious anthology.ĪF: You are currently launching a new anthology can you tell us about it? Though he did not choose my piece, he gave some good advice and was pleasant to correspond with. I encountered Todd Sanders when I send a short story in to his call (found right here on Horror Tree) for ‘ Spirit Machine’. Tate.Todd Sanders, & Air and Nothingness PressĪir and Nothingness Press has been publishing poetry, science fiction, fantasy, and short stories since 1997. Letter from Allen Tate to Archibald MacLeish, April 23, 1943, made available here with permission from Helen H. Photograph, Opening of the Lincoln Papers, undated, made available here with permission from WTOP. Letter from Marianne Moore to Archibald MacLeish, March 13, 1944, made available here with permission from Marianne Craig Moore, Literary Executor for the Estate of Marianne Moore. ![]() ![]() 20 John Street, London, WC1N2DR, United Kingdom Somerset Maugham to Archibald McLeish, July 6, 1945, made available here with permission from A.P. Washington Street, Alexandria, Virginia 22314 Photograph of Joseph Auslander, undated, made available here with permission from Bachrach Studio. Photograph, Alice in Wonderland Manuscript Presented to British Museum by Luther Harris Evans, undated, made available here with permission from ZUMA Press. For further use or reproduction of those items contact the rightsholders listed. Items included in this collection with the permission of rights holders are listed below. Many of these items are in the public domain, that is, not subject to copyright protection under the laws of the United States. The Library of Congress has researched the contents of this collection to ascertain any possible legal rights embodied in the materials. ![]() Researchers wishing to cite this collection should include the following information:įreedom’s Fortress: The Library of Congress, 1939-1953, Manuscript Division, Library of Congress, Washington, D.C. Please contact us through our Ask A Librarian service. The Library of Congress would like to learn more about these materials and to hear from individuals or institutions having any additional information. See Legal Notices and Privacy and Publicity Rights for additional information and restrictions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. ![]() There may be content that is protected as "works for hire" (copyright held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. The Library of Congress provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. ![]()
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